Research Portfolio
Classification: Academic Level B (B)
Function:Teaching/Research/Coordinator Art Workshops/ Director Tin Sheds Gallery
FTE:    100%
School:            Architecture
Commenced with Institution:            1990
Commenced Current Job:            1999
Top 6 Creative Works

*Solo Exhibitions
2003,Camouflage, Fremantle Arts Centre,WA
2001 Camouflage, Manly Art Gallery, NSW

*Invited exhibitions
2003, 6eme Triennale Mondiale D’Estampes, Petit Format, AMAC, Auvergne, France
2003   Women Beyond Borders, UCLA, Museum of Cultural History, Los Angeles
2001, The Shell Fremantle Print Award Exhibition, Fremantle Arts Centre, WA
2000,The Shell Fremantle Print Award Exhibition, Fremantle Arts Centre, WA

*Curatorial projects

2004   SEEsaw, Three exhibitions and catalogue to mark the closing of the old Tin Sheds Gallery and opening of the new Tin Sheds Gallery. Redcheck, Margaret Roberts, Split, Bevan Honey, eyefull, Deborah Vaughan, Tin Sheds Gallery Sydney, NSW

 Esteem/Standing

Director, Tin Sheds Gallery 1999 to present.
The Tin Sheds Gallery is a contemporary art space that hosts approximately 12 exhibitions per year. The exhibitions are selected to display a wide range of art and architectural practices and thinking. I view the gallery as a 4-dimensional journal whereby scholars(in this case artists and architects) can contribute to knowledge, debate and experience through the production of creative works. In 2006 I will collaborate with The Biennale of Sydney, a major international art festival, to exhibit work by an international artist as part of Artist’s Week. www.biennaleofsydney.com.au

Other projects for 2006 will include: Alan, Jack and Cottier, an exhibition of projects by the foremost architects, curated by Trevor Howells; A Singular Voice: Joan Kerr’s Radical Regionalism – an exploration of the influence of an important art historian, curated by Jo Holder and Craig Judd.

www.arch.usyd.edu.au/art_workshop: to view current and archived exhibitions.

Being part of Australia’s foremost political poster group, Earthworks Poster Collective in the 70’s, I am invited to speak at various seminars and am consulted by others in their research. I manage the Tin Sheds Art Workshop, Faculty of Architecture holds a valuable archive of over 1000 posters and other historical material relating to post-object art and the women’s art movement.